Gustavo Nassar

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Gustavo Nassar (1979 -), Gustavo Leandro Gouvêa Lopes, is a poet and composer born in Brazil who lives in Diamantina, Minas Gerais. His music is influenced especially by post-punk / industrial. His career began as founder and short guitarist of the deathrock band Luiza Fria (2007). In 2014 he founded with Jimmy Andrade the project Império dos Sentidos, which lasted until 2015, recording one album. In 2016, interested in prolonging this nietzschean lyrical poetry in sounds darkwave, goth and post-punk (still crossed by trip-hop) Gustavo Nassar launches his first solo album. The album is called 'O Amor dos Mais Fortes'. In that year Gustavo Nassar had one of his solo songs selected to enter the largest Brazilian postpunk / darkwave collection, 'De profundis' which, until then, until that fourth edition, was sealed by the mythological ‘Baratos & Afins’. At the end of 2016 your video clip ‘Noite de Mara, Minha Luz Civil ’is released, having subsequently been shown on TV VALE, affiliated to TV RECORD. Behold, in 2017, in a period without any inspiration, and without ever meeting colleagues for a band in the city of Diamantina, Nassar was invited to participate in a interview and live presentation on the TV channel about his work. This was his only act as a musician in the year 2017. It was only at the end of 2018 that Nassar began to compose again. In 2019 launches his second solo album ‘Arte Degenerada’. Here in ‘Arte Degenerada’ an epic of post-punk rock, of industrial musicality abrasive, experimental. Distinct from the Gothic lyric poetry that sought a re-enchantment reconciling with the world in his first albums, ‘Arte Degenerada’ gives light to songs atonal. There were 14 declarations of war, throwing stones at mental numbness in a time of aggravated social chaos. With songs featuring a radical critique of capitalist society, 'Degenerate Art' sought an incendiary opposition to the current reactionism. Against the politically correct, the album sought a statement anarchic and artistic rupture. Rupture against the existential degradation process, in the context of an outbreak of the 10’s of the 21st century. Right then, at the end of 2019, in the same socially critical vibe and musically chaotic, Gustavo Nassar releases his first EP with 4 songs: ‘O Amor nos Tempos dA Cólera '. The EP is a continuation of the very industrial ‘Arte Degenerada’ but, if temporarily moving away from post-punk rock, it embraces electronic noise music. In 2020, in the need to reconcile with an irreconcilable world, in the search for a renewed escape into the poetic interior, Gustavo Nassar starts the night recordings of album 'Cristais de Cemitério' released in December 2020. The album returns to more lyrical and gothic origins of the industrial post-punk from the first album but, as novelty, inaugurates a crossover of these styles with MPB, especially with the baião. This merger refers to the distant year 2000 when, still residing in Campinas, Nassar was often seen carrying a triangle, agogô and guitar in the collectives bus of City. This album was commented and praised by the largest newspaper in the capital of Brazil, o 'Correio Braziliense'. And it featured two video clips. (But before... but well before the release of the album 'Cristais de Cemitério', suddenly, suddenly, Gustavo Nassar finds himself determined in 2 days to release an album with 14 abstract, dadaist and random songs dealing with social networks. The thing was stuck in the throat. And Nassar needed in the middle of a pandemic to make an album that “Talk” about social media. The album ‘Redes Anti-Sociais’ appears, which composes nothing that seeks to reflect, as an inverted mirror, the vital nihilism, the nullity that overdetermines our “lives” in the age of antisocial networks). In 2021, Nassar wishes to record more new musics.

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